Flying Fingers: A Concert
Review
A few weeks ago, I attended a concert of the Bilkent Symphony Orchestra featuring guest
musician, famed pianist Gülsin Onay. Ms. Onay has studied with some very well known
artists, including Mithat Fenmen and Ahmed Adnan Saygun, and has won several awards, the
most recent being the the Sevda Cenap And Honor Prize. She is currently the soloist for
The Presidency Symphony Orchestra (CSO).
The piece selected for the evening was C. Saint-Saens’ Piano Concerto No.2. It consists
of three parts. In the first, the soloist starts off with an almost spontaneous, free form
styled melody. As the orchestra begins to add its presence, a very exciting structure
begins to appear. From the very first notes there is an almost lyrical quality that
becomes notable. The second part is more rhythmic, and a gentle humor makes an appearance.
Here, the listener finds themselves in the middle of a cryptic dialog between the piano
and the orchestra. The final part of the Concerto is filled with harmonic brightness and
happiness.1
Gülsin Onay was playing as if her piano was a dance partner. Each flawless
note made their way beyond the ears, and into the soul! Her fingers moved with a speed
that rendered them nearly invisible, without missing a beat. It was unbelievable and
amusing.
The evening was yet another example of the tremendous weekly concerts that are held at our
university. Experience them for yourself. I can almost assure that you will find them both
interesting and inspiring.
I fare you well for now…
1- Concert leaflet page: 2-6
Alev Deðim (COMD/III)
contactinspector@yahoo.com
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