Volume 14, Number 07
November 6, 2007





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Spectrum

isil kutluayBreak on Through to the Other Side

Once upon a time, in a land not so far away, there lived a King who had everything a mortal could wish for. His appearance was as breathtaking as a Greek God. His rebellious attitude influenced masses of "lost" juveniles, and his messages transcended time and space: "between the known and the unknown" he said, "there remains a door. I'm here to open it." This King was Jim Morrison, and though his story was told by many, no one has captured his true essence as director Oliver Stone did in his masterpiece “The Doors.”

The story of the legend opens with the brilliant song, “Riders on the Storm.” It is at this point that you find yourself standing on the threshold of a half-opened door, trying to decide what to do. The conflict renders you senseless. You can either stick with your old, safe life, filled with suspicions about what's behind that door; or enter a new existence which may include euphoria and luck. Before you can decide, Stone takes your hand and leads you on a journey with Jim. You join a ritual with natives and dance with the souls of shamans, lose yourself in intoxication, get your heart broken by a beloved's betrayal and fill the deep holes with the poems of Arthur Rimbaud. In each and every scene, your soul gets sucked in by the aura of a most unique man. The description, the storyline, and the music - every single detail seems so perfect and harmonious, that you may almost feel like you had died and ascended to heaven. Its surprising how one movie can mess up your static feelings so easily. This bio-pic of the 'Lizard King' is more than an ordinary film; it recreates an influential life.

Val Kilmer's portrayal of Jim Morrison (not only in terms of his appearance, but also in his ability to convey his life style and philosophies), and the constant innocent look on Pamela Courson's face (played by Meg Ryan) proves how simple and childish some things remained, despite their utterly chaotic existence. Furthermore, the combination of songs fits in perfectly with the scenes; and the scenario is beyond fabulous. Yet, the thing that captured me the most was Jim Morrison's efforts to open the doors of perception through a combination of art, primitive rituals and psychedelic experience. This is part of what made Morrison a legend and what makes this movie worth watching - and living.

"This is the end, my friend," Jim's voice echoes in your ears with the final scene. You find yourself standing on the threshold again, this time a little more aware of what to do. I believe Aldous Huxley has been wrong the entire time - the doors of perception are not opened by psychedelic experience, as he suggested, but by the music and lyrics of Jim Morrison. With the opening of this door you hear a voice ask: "Are you in? The ceremony is about to begin."


Işıl Kutluay (ECON/II)
i_kutluay@ug.bcc.bilkent.edu.tr

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